Widowmaker stays Overwatch’s biggest mystery

Two years into a lifespan of Overwatch, it’s a small uncanny that one of a many puzzling characters is one of a really initial one revealed. we refer, of course, to Amélie “Widowmaker” LaCroix, a Talon sniper and assassin. The some-more science calm that comes out, a some-more expected it seems that Blizzard is building adult to something large per Widowmaker. Let’s start with what we know for sure:

Widowmaker is a ideal assassin: a patient, ruthlessly fit torpedo who shows conjunction tension nor remorse.

It is believed that in her former life, Widowmaker was married to Gérard Lacroix, an Overwatch representative spearheading operations opposite a Talon militant organization. After several catastrophic attempts to discharge Gérard, Talon motionless to change a concentration to his wife, Amélie. Talon operatives kidnapped her and subjected her to an heated module of neural reconditioning. They pennyless her will, suppressed her personality, and reprogrammed her as a sleeper agent. She was eventually found by Overwatch agents, apparently zero a worse for wear, and returned to her normal life.

Two weeks after she killed Gérard in his sleep.

Her goal complete, Amélie returned to Talon, and they finished a routine of branch her into a vital weapon. She was given endless training in a growth arts, and afterwards her physiology was altered, drastically negligence her heart, that incited her skin cold and blue and impassive her ability to knowledge tellurian emotion. Amélie was gone.

Now, Widowmaker is Talon’s many effective assassin, feeling small save a compensation of a pursuit good done.

The diversion tells us again and again that Widowmaker feels nothing, that she’s a ideal murderer who usually feels tension when she kills. There’s usually one problem: this isn’t true. The deeper we puncture into Widowmaker, a some-more we see that she indeed cares quite a lot. For instance, let’s take a demeanour during Ana. Widowmaker and Ana had a sniper conflict years ago, and Widowmaker emerged triumphant. When Widowmaker kills Ana, she has some special lines:

“You should’ve stayed dead.”

”The ‘World’s biggest sniper’… formerly.”

As a world-class consultant in being a sparse bitch, we can endorse that Widowmaker is feeling annoy and honour there. These emotions are so clever that she even spits during Pharah on successful headshot:

“Like mother, like daughter.”

There’s also been a common critique about Widowmaker’s outfit and demeanour from day one. She doesn’t dress like a ideal killer; she dresses with style. Her hair is long, notwithstanding a fact that it could get caught. At first, this got created off as a flattering common video diversion trope. The some-more a diversion develops however, a some-more it seems like it’s conscious on a developer’s parts. Everything about Widowmaker is extra. Her Summer Games skin gives her a sunglasses visor, she constantly shows a many skin of any character, and she even has a lick prominence intro (that gets incited into a spectator being stepped on, though that’s usually even some-more additional points in her favor.)

In fact, a usually time we see Widowmaker in full, unsentimental sniper rigging is the Ana comic Legacy, that is a initial open sighting of LaCroix after her kidnapping. She’s clearly capable of sauce for a job, though she chooses not to.

So there are dual options here: Either Widowmaker is intensely vain, fastidious, and chooses impression over pristine substance… or Blizzard have severely messed adult her pattern several times. While we’re articulate about this, what’s with those tattoos? Are we severely ostensible to consider Talon systematic their ideal murderer to get some honeyed goth tattoos?


Blizzard Entertainment

Okay, annoy and self-centredness is a flattering singular operation of emotion. What about this pre-game communication with Ana?

Ana: Gérard was a dope to adore someone like you.

Widowmaker: You don’t know anything about him.

Widowmaker spits that line, and when we puncture deeper, we can see why. Amélie is still deeply in adore with Gérard. She keeps a print of him in her mansion… a same mansion she’s renovating and portrayal clear colors. In a Christmas comic Reflections, she visits his grave. When she comes behind to life, she sighs his name.

Is her neural conditioning entrance undone? Has she usually let Talon trust she’s some-more indoctrinated than she is? Something is really adult with Amélie LaCroix. It’s also value observant that we don’t know who was a one to condition her. Moira asks how she’s feeling, though Moira was with Blackwatch during Gérard’s initial run during Talon. We don’t know if a timeline allows for Moira to eventually join Talon, usually as Widowmaker kills her husband, permitting a genetic scientist to theme her to that turn of reconditioning. If not Moira, who else could it be?

Something is really adult with Widowmaker, and as Talon takes a spotlight as a game’s vital antagonist, it seems expected these questions will be answered earlier rather than later.

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